亚洲杯:TerenceKoh

发布日期:2020-03-17   作者:亚洲杯外围   已浏览: 129次

TerrenceKoh’ssculpturesarebornofqueeryouthcultureandluxuriousdecadence.Exudingamagneticsensuality,TheseDecadesthatWeNeverSleep,BlackDrumsisanobjectofobsession,itsebonycoilstrailingwithenticement,visuallyechoingwavesofnoise.Luringwithitsswarthydepths,…BlackDrumscreatesasuggestivevoid:ofmemoryandfantasy,drawingconnotationsofarthistory,gothicsubculture,andfetishgear.Usingrawmaterialsofcloth,metal,andplaster,Koh’ssculpturebeaconswithtactility,mirroringyearningandlossasphysicaldesire.

亚洲杯外围Takingtheformofaboudoirchandelier,TerrenceKoh’sTheseDecadesthatWeNeverSleep,BlackLighthangswithatemptinganticipation;itsheavyweightdangles,bothdangerousandbeguiling,drippingopulentcrystalsandbijou.Ratherthanilluminating,thesculpture’sdeadenedblacksurfacepromisestodevour.Flirtingbetweenpleasureandpain,lustanddeath,Kohoffersadarkromanticism,filledwithapprehensionandpossibility.

Crowingwithearly-hourneonglory,TerrenceKoh’sBigWhiteCockiseverythingitstitlesuggests!Illuminatingwithgreasyinnuendosofback-alleysexshopsandmega-bucketchickenshacks,Koh’selectricsignpulsatesasahigh-designiconglamorisingtheartofslummingit.Addressingissuesofrace,gender,andsexuality,Kohturnsthecodedlanguageofsub-cultureintoafetishisedlogoofduplicity.Insexualtermsa‘chicken’maybeagayteenorChineseprostitute,butsometimesacockisjustarooster!

Standingasawhitecubewithinthewhitecubeofthegallery,TerenceKoh’sMedusahastheoutwardappearanceofpolishedrespectability.Throughthedoorofhisstructure,however,itisrevealedasaWCofiniquity,aliteralclosetingofdesire.Deckedoutindirtyblack,withrowsofphallus-ladenreligiousicons,andsatanicplumbingfixtures,Koh’stoiletstallisbothurinalandconfessional,asmuttycupboardwhereseductionandtranscendencearegleefullyindulged.